William Morris (1834–1896) John Henry Dearle and Philip Webb. ‘The Forest,’ tapestry, 1887. Woven silk and wool. 54 x 176-3/4 inches. Made by Morris & Co.

Charles Francis Annesley Voysey (English, 1857-1941). Clock, 1895-1896. Mahogany, painted and gilded, brass and steel. 50.8 x 27.1 x 17.2 cm. Britain , Mahogany case made by Frederick Coote. Movement made by Camerer, Cuss and Co.

Charles Francis Annesley Voysey (English, 1857-1941). Desk. Oak with brass panel and copper hinges. Britain, 1896. Metalwork by W.B. Reynolds. For Mr. and Mrs. Ward-Higgs.
Этот письменный стол из дуба работы ученик?Уильяма Моррис??Артура Хейгейта Макмёрдо Чарльз?Фрэнсиса Эннсли Войс?давн?полюбился мн?по книг?Джудит Миллер "Модерн. Путеводитель коллекционер?quot;.

Charles Francis Annesley Voysey ((English, 1857-1941). Tomkinson and Adam (maker). Carpet, 1896. woolen pile on a jute warp, machine woven. 269 x 223 cm. (Kidderminster), established 1869. Made for Liberty & Company, London. English, established 1875.

Ebonized mahogany, carved wood, pewter, mother of pearl, marquetry of stained woods, silver-plated handles and hinges. Movement made by John Broadwood & Sons Ltd., London; case possibly by Broadwood, the Guild of Handicraft or the Pyghtle Works.

Richard Redgrave, English, 1804–1888). ‘Well Spring’ vase. Designed in 1847, made in 1865 by Minton & C. for Felix Summerly’s Art Manufacturers. Porcelain, painted in enamels. 21.8 x 17.8 x 10.7 cm.

Archibald Knox (English, 1864–1933). Necklace, c. 1902. Gold set with mother-of-pearl and pearls. 21 x 16 cm. Part of the Cymric range designed for Liberty & Co. Circ. 20-1961.

Charles Robert Ashbee (English, 1863–1942). Cutlery. Silver, stained ivory, malachite, stained bone, turquoise finial, bowenite. Made by the Guild of Handicraft.

Room re-creation, based on original drawings from Gustav Stickley's Craftsman Workshops. Designed and built by Jo Hormuth, Chicago Architectural Arts.

Frank Lloyd Wright (American, 1869–1959); Tree of Life window, 1904. Clear, colored, and iridescent glass; copper-coated zinc caming. 47-1/2 x 32-3/8 inches. Fine Arts Museums of San Francisco. Gift of Mrs. Darwin Martin. 1982.70.

Josef Hoffmann (1870–1956), adjustable armchair. Steam-bent beechwood frame, stained mahogany colour, plywood geometric pattern, brass pole. Made by J & J Kohn. Austria, c.1908.

Unknown designer. Wiener Kunstkeramische Werkstatte Busch und Ludescher (maker), Austrian (Vienna), active1908-1940, vase, about 1910, earthenware, enamel.

Margaret Macdonald Mackintosh (Scottish, 1834–1933), Pair of Embroidered Panels, 1902. Linen with silk braid, ribbon, silk appliqué and bead decoration. 177.2 x 41 cm. Glasgow School of Art, Glasgow.

Hokkaido, 19th century Robe (attush), mid 19th century Elm-bark fiber with cotton appliqué and cotton thread embroidery 128.5 x 128.0 cm.

Reconstructed Japanese room; re-creation of rooms from the Mikuniso, a Pavilion built for a Tokyo exhibition in 1928. Interpreted with the help of Dr Tomoo Kawashima and built by Fushimi Kogei Co. Ltd, Kyoto.

Stained glass doors from the entry hall, Robert T. Blacker Estate, Pasadena, 1907–1909. Peter Hall Manufacturing Company; Sturdy-Lange Art Glass Studios. Glass, lead, teak. Overall 77-1/2 x 149 x 2 inches. Dallas Museum of Art, General Acquisitions Fund with additional support from Friends of the Decorative Arts, 20th-Century Design Fund, Dallas Symposium, Professional Members League, Decorative Arts Acquisition Fund, and Dallas Glass Club.