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### The Timeless Allure of Alain Delon: A Cinematic Legend https://www.facebook.com/photo.php?fbi...
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175 Interview with Lynn Boggess |
bradteare.blogspot.com/2014...ggess.html
From a distance the paintings of Lynn Boggess appear to have a hard-edged reality. Close-up that reality dissolves into a flurry of abstract marks. Few painters embrace a synthesis of order and chaos with such virtuosity. His choice of color and depiction of texture imply a keen observation of natural effects. His work covers the gamut of times and seasons and every painting seems to be a distinct record of a specific moment. Regardless of subject matter Boggess creates an inimitable world in paint. (See more paintings here).
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175 Interview with Lynn Boggess
From a distance the paintings of Lynn Boggess appear to have a hard-edged reality. Close-up that reality dissolves into a flurry of abstract marks. Few painters embrace a synthesis of order and chaos with such virtuosity. His choice of color and depiction of texture imply a keen observation of natural effects. His work covers the gamut of times and seasons and every painting seems to be a distinct record of a specific moment. Regardless of subject matter Boggess creates an inimitable world in paint. (See more paintings here).
BRAD TEARE I first noticed your work ten years ago in an article for a show at The Principle Gallery. It seems like your highly individual style emerged on the scene fully developed. Did you find your style fairly early in your career or did you experiment with different techniques along the way?
LYNN BOGGESS My style was decades in the making. I was introduced to landscape painting at an early age through my Junior High School art teacher who was an admirer of Andrew Wyeth. His quick study watercolors were a huge influence and I filled the walls with my own watercolors based on charcoal and pencil sketches from direct observation. The success of these early paintings gave me enormous encouragement, so it was an easy decision to pursue an art major in college.
I was fortunate to have several instructors who liked to camp in the forest and do watercolors en plein air. One of them was an Abstract Expressionists, the other a Color Field painter–which was really a helpful addition to my Wyeth realism. Graduate School introduced me to Minimalist compositions and emphatic textures.
But these elements did not successfully merge until I was a Professor of Art in mid-career. When they did, it was something of a violent power surge to my imagination. Within a few years I resigned a hard won professorship to paint professionally and there's been no looking back–not a lot of time for that!
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